Studio

The Studio

A converted 1935 garage, this studio takes advantage of the garage door to allow for warm summer breezes to waft through. In winter, I close the door to ensure warmth and comfort to make this a stimulating and creative place. Outfitted with three heaters, water, massive amounts of electricity and a radio, this studio is a state-of-the-art space built with education and creativity in mind.

Two Kilns

The Skutt 1227, and the Skutt 614. Between the two, most anything is possible.

• More detail about these kilns •

The Electric Wheel

The electric wheel provides students and the instructor a valuable tool by which to learn and experiment with clay.

Plaster Molds

There are many different ways to approach clay: coil, slab, pinch-pot, wheel and plaster molds. Plaster molds are useful because they allow the ceramist to replicate a design dozens and dozens of times.

The Table

Sometimes a table isn't just a table, but a tool. I specially designed this table using clean, flawless hardwood to ensure the clay can be rolled out smooth and clean.

Shelves in the Glaze room

These racks are design for chemical storage as well bisqueware. Space is slightly limited, but hasn't seemed to impact glaze production

The Glazing Booth

Built to provide the glazer with full light and clear air, the glaze booth is designed with the air-compressor in mind. Equipped with an overhead exhaust fan and powerful lights, this booth greatly reduces the amount of dust and chemicals the average glazer encounters.